When a death row prisoner tells him he wouldn't have led a life of crime if only he had had one friend as a child, Father Edward Flanagan decides to do something about. An advocate of child...
See full summary »
Mickey Rooney and Spencer Tracy return in this sequel to the original Boys Town. This time the school faces financial trouble as Father Flannigan tries to help every little boy he meets. ... See full summary »
A dead World War II bomber pilot named Pete Sandidge, becomes the guardian angel of another pilot, Ted Randall. He guides Ted through battle and helping him to romance his old girlfriend, despite her excessive devotion to Sandidge's memory.
When a death row prisoner tells him he wouldn't have led a life of crime if only he had had one friend as a child, Father Edward Flanagan decides to do something about. An advocate of child rights and an opponent of the severe approach to juvenile delinquency at the time, Flanagan genuinely believed that there is no such thing as a bad boy. Starting with just a few boys in a rented house, Father Flanagan eventually establishes Boys Town on 200 acres of land 10 miles outside of Omaha, Nebraska. Much of the film focuses on Flanagan's attempts to influence one boy, Whitey Marsh, who will become a hoodlum if he doesn't change his ways. When Whitey is implicated in a bank robbery, it puts all of Boys Town at risk. Throughout it all Flanagan has to fight prejudice in those who believe delinquents should just be locked up and the never ending shortage of money to accomplish his goals.Written by
When shooting began on the movie Mickey Rooney repeatedly tried to steal scenes by fumbling with a handkerchief, pulling faces and other bits of business. This so annoyed Spencer Tracy that he threatened to have Rooney thrown off the movie unless he behaved. See more »
Pee Wee is hit by a car. Whitey rushes to see whether he is injured. You'd expect the car driver to come and see as well, but the driver has disappeared. See more »
The film takes a long time to get going - I almost gave up on it after the first half-hour. But mercifully, after the documentary-style and resolutely non-judgmental opening, "Boys Town" acquires a plot - and some sense of direction. The trigger for this is the introduction of the first character in the entire film who is allowed to be flawed. So far, everyone else has been shown to be either a curmudgeon with a heart of gold, a rascal with a heart of gold, or an unashamed saint; but Joe Marsh is a flashy and unrepentant young criminal.
He is not entirely beyond redemption, however. He loves his younger brother, who hero-worships him in turn and longs to emulate him; and it is doubtless a sad reflection on human nature that it is only with the arrival of strife in the Eden of Boys Town, in the shape of Joe and Whitey Marsh, that the film manages to become at all interesting.
What follows is a story that has been told many times before, from Louisa May Alcott's "Jo's Boys" onwards. This is the story of a rough boy who rebels against unaccustomed gentle surroundings and tries to corrupt his new world to match the one he knows, and whose ultimate saving grace is his protective love for a younger child.
The main problem for this film is the role of Father Flanagan, a thankless part for any actor. The man has - literally - no weaknesses, no human flaws, not even any self-doubt. His charm can apparently melt the hardest heart and conjure water out of a stone - or out of a hard-headed pawnbroker, which according to the script comes to the same thing. The man is too likeable to be 'insufferable'; but it was surely not the intention of the director that the audience should end up by willing Whitey to resist the priest's moral pressure, to shield his brother even at his own expense and that of his adopted community - and to be so pleased when the boy attempts to do so.
To be honest, I don't see that this part deserved to win an Oscar for Spencer Tracy - not because the actor played badly, but because the character as written simply doesn't present him with enough challenging material to demonstrate his craft. It is the child actors who play the various boys who deserved the real praise in this film. Ultimately I suspect Tracy's Oscar was an award aimed at rewarding the efforts of the *real* Father Flanagan rather than at his performance in this film.
10 of 14 people found this review helpful.
Was this review helpful to you?
| Report this