7.9/10
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My Fair Lady (1964)

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1:50 | Trailer
A snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society.

Director:

George Cukor

Writers:

Alan Jay Lerner (book), George Bernard Shaw (from a play by) (as Bernard Shaw) | 1 more credit »
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Popularity
2,835 ( 239)
Won 8 Oscars. Another 17 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
Audrey Hepburn ... Eliza Doolittle
Rex Harrison ... Professor Henry Higgins
Stanley Holloway ... Alfred P. Doolittle
Wilfrid Hyde-White ... Colonel Hugh Pickering
Gladys Cooper ... Mrs. Higgins
Jeremy Brett ... Freddy Eynsford-Hill
Theodore Bikel ... Zoltan Karpathy
Mona Washbourne ... Mrs. Pearce
Isobel Elsom ... Mrs. Eynsford-Hill
John Holland ... Butler
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Storyline

Pompous phonetics professor Henry Higgins is so sure of his abilities that he takes it upon himself to transform a Cockney working-class girl into someone who can pass for a cultured member of high society. His subject turns out to be the lovely Eliza Doolittle, who agrees to speech lessons to improve her job prospects. Higgins and Eliza clash, then form an unlikely bond -- one that is threatened by an aristocratic suitor. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

More Loverly Than Ever! See more »


Certificate:

AL | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

17 December 1964 (Netherlands) See more »

Also Known As:

Mi bella dama See more »

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Box Office

Budget:

$17,000,000 (estimated)

Gross USA:

$72,000,000
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

4-Track Stereo (35 mm magnetic prints)| 70 mm 6-Track (70 mm prints)| Dolby Stereo (70 mm prints) (1994 re-release)| DTS (35 mm prints) (1994 re-release)| Dolby Digital (35 mm prints) (1994 re-release)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

During lunch breaks, Cecil Beaton would sneak onto the sound stage set being filmed, set up an easel and board, sketching the standing set (scenery), adding color with time permitting, or adding watercolor washes and painting details in his studio lot office. Both Jack L. Warner and George Cukor had Beaton banned from the daily filming stage, as well as from any Warners stage on which set construction, painting, set green and set decorating was in progress. After the film was finished, Beaton had an exhibition with his costume sketches, including these set illustrations, providing some evidence that he had designed the scenery as well. In fact, Jack Warner had originally signed a contract with Beaton granting him costume and art direction screen credits. The original New York, London, Chicago and road show tour-stage scenery had been designed by Oliver Smith. George Cukor and Gene Allen (as Production Designer and Second Unit Director) had teamed on A Star Is Born (1954). Cukor insisted Allen would design all the "My Fair Lady" sets when he accepted the directorial assignment. In fact, Beaton was never allowed in nor near the film's art department. See more »

Goofs

In the final scene when Henry Higgins sits on the chair as he listens to her voice on the phonograph, Eliza's shadow can be clearly seen on the carpet behind him, to his left (screen right). In the next shot she is shown entering the room. See more »

Quotes

[first lines]
[sounds from crowd, occasionally a word or phrase, indistinct and mostly not associated with a character]
Mrs. Eynsford-Hill: Don't just stand there, Freddy, go and find a cab.
Freddy Eynsford-Hill: All right, I'll get it, I'll get it.
See more »

Crazy Credits

In the posters, playbills and the original cast album for the stage version of "My Fair Lady", the credits always read "based on Bernard Shaw's 'Pygmalion' ", letting the audience know what play "My Fair Lady" was actually adapted from. The movie credits simply read "from a play by Bernard Shaw". See more »

Alternate Versions

In the remastered version of the film, some of the scene changes are changed from sudden cuts to wipe outs, as they probably were when the film was released. When CBS Fox released it on video originally, they were changed to sudden cuts. See more »

Connections

Referenced in Diff'rent Strokes: My Fair Larry (1983) See more »

Soundtracks

Get Me to the Church on Time
(1956) (uncredited)
Music by Frederick Loewe
Lyrics by Alan Jay Lerner
Performed by Stanley Holloway, John Alderson, John McLiam, and Ensemble
See more »

Frequently Asked Questions

See more »

User Reviews

MFL will always be one of my favorite movies..
4 November 2001 | by lauriebethSee all my reviews

I first saw this film when I was eight years old, after receiving it as a first communion present from my mother. For months I watched the movie on an almost daily basis, and it was quickly a favorite. I thought it was absolute perfection.

Now that I am a bit older.. I notice that is does have quite a few flaws. It doesn't really capture the essence of Shaw's Pygmalion, but I don't think that should really take away from the movie; they should be treated as separate entities. Some of the sets are a little, well, cramped, but consider what they had to work with, they did a pretty good job.

And then there is the dubbing issue. I recently special on MFL on AMC, and they showed "Wouldn't It Be Loverly" and "Show Me" with Audrey's voice, and though Audrey may not have the perfect melodic voice of Marni Nixon, her voice was much more "Eliza". I really do think they should have just used her voice. If you watch "Funny Face", you get a good feel for voice, which I think is beautiful in a unconventional way.

Then, there is the question of whether Julie Andrews should have played Eliza in the film version of MFL. I've gone back and forth on this issue. Now, Audrey Hepburn is my favorite actress of all time, and Julie Andrews is a close runner-up, so it really is hard to "choose". Of course Julie's voice is much better than even Marni Nixon's... but like I said before, I don't think a perfect singing voice really would suit Eliza. And as for which would play a better Eliza overall.. I really don't know. I wasn't alive to see MFL on Broadway, so I really can't compare the two. What I do know is that Audrey gave an amazing performance. Anyway, as someone else said, if Julie had played Eliza, who would have played Mary Poppins? ;)


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