7.8/10
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180 user 64 critic

Wait Until Dark (1967)

Trailer
2:36 | Trailer
A recently blinded woman is terrorized by a trio of thugs while they search for a heroin-stuffed doll they believe is in her apartment.

Director:

Terence Young

Writers:

Frederick Knott (play), Robert Carrington (screenplay) | 1 more credit »
Nominated for 1 Oscar. Another 4 nominations. See more awards »

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Cast

Complete credited cast:
Audrey Hepburn ... Susy Hendrix
Alan Arkin ... Roat / Roat Jr. / Roat Sr.
Richard Crenna ... Mike Talman
Efrem Zimbalist Jr. ... Sam Hendrix
Jack Weston ... Carlino
Samantha Jones ... Lisa
Julie Herrod Julie Herrod ... Gloria
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Storyline

Susy was recently blinded and recently married. Susy's husband, Sam, is asked to hold a doll for a woman he doesn't know as they get off an airplane. The woman disappears. Later, she's found dead by her former associates, Mike and Carlino, small-time hoods, in Susy's basement apartment. (Both occupants of the apartment are then absent.) The doll woman's newer partner in crime, Harry Rote, who murdered her for self-dealing, presses Mike and Carlino into a scheme to recover the doll, which contains a fortune in smuggled heroin. After disposing of the body, the thugs return while Susy is present to continue their search. They assume Susy's blindness will enable them to search her apartment under her very nose for the doll. In Sam's absence, Mike pretends to be an old friend of Sam's, while the three together spin for Susy a story of a murder investigation of her husband from which only the finding of the missing doll can save him. Rote is a predator, and his stalking of Susy becomes ever... Written by Morganalee

Plot Summary | Plot Synopsis

Taglines:

What did they want with her? See more »

Genres:

Horror | Thriller

Certificate:

12 | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

26 October 1967 (USA) See more »

Also Known As:

Warte, bis es dunkel ist See more »

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Box Office

Budget:

$3,000,000 (estimated)

Gross USA:

$17,550,741
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

This film was ranked #55 on AFI's '100 Years, 100 Thrills' special. See more »

Goofs

As he walks through the airport terminal, how far Sam's bag is unzipped changes between shots. See more »

Quotes

[first lines]
Lisa: Come on Louis, come on!
See more »

Crazy Credits

The end credits show each character with the performer's credit; Alan Arkin is shown three times, including once in each disguise. See more »

Connections

Referenced in Saturday Night Live: Alec Baldwin/Radiohead (2011) See more »

Soundtracks

Wait Until Dark
Music by Henry Mancini
Lyrics by Jay Livingston and Ray Evans
Performed by Sue Raney
See more »

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User Reviews

Wonderfully effective suspense thriller!
18 October 2003 | by barbarella70See all my reviews

Great little gem that -for the most part- stands the test of time very well!

Audrey Hepburn is cast beautifully as the blind woman victimized by three deviants. Alan Arkin is truly terrifying as the leader and his performance here ranks as one of the all-time-great screen villians.

Director Young handles the pace masterfully. No sequence really goes on longer than it should. Henry Mancini uses a nice, quiet score that creates appropriate tension as the film builds to its classic showdown.

My favorite thing about the film is, I think, the use of lighting in the final sequence. Charles Lang uses a creepy, dimly-glowing, red-orange light to illuminate the apartment after Suzie has smashed every other bulb. The effect has a shadowy, nightmarish quality and the scene looks like it was filmed yesterday.

When you think about David Fincher reworking the original concept here for PANIC ROOM, it really is a flattering comment to WAIT UNTIL DARK and its power in still being able to chill. It's also funny to think that with all that impressive photography and filmmaking, the film didn't have nearly half the tension of this 1967 classic.


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