Elliott Gould and Diane Keaton take out a lease on love with an option to buy in this glossy romantic comedy costarring Paul Sorvino, Victoria Principal and Candy Clark. Unhappily divorced ...
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After an American scientist is severely injured and scarred in a car crash along the border with East Germany, he is captured by East German military. The scientists use metal implants to save him. Once he's back in the States, no one can tell if it's really him, so an intelligence specialist must determine who is under the "mask".
Elliott Gould and Diane Keaton take out a lease on love with an option to buy in this glossy romantic comedy costarring Paul Sorvino, Victoria Principal and Candy Clark. Unhappily divorced after 10 years of marriage, Les Bingham (Gould) finally convinces his ex-wife Katie (Keaton) to give him another shot. Reluctantly agreeing to a legal arrangement instead of a wedding vow, Les signs a six-month contract, unaware his lawyer (Sorvino) also loves Katie and plans to use the wiles of their sexy neighbor (Principal) to bust up the Binghams for good. Cowritten and directed by Norman Panama (How to Commit Marriage), I Will... I Will... For Now was produced by George Barrie, CEO of Fabergé. A musician-turned-businessman, Barrie would produce over a dozen films, earning Oscar nominations for "All That Love Went to Waste" (A Touch of Class, 1973) and "Now That We're in Love" (Whiffs, 1975), two songs he wrote with Sammy Cahn.
"A Touch of Class" without the class...which is both pro and con
Norman Panama co-wrote and directed this silly bedroom comedy steeped in '70s clichés. Bickering couple, married ten years and separated for one, are reunited at the wife's sister's "contractual engagement" and soon decide to have a couples-contract drawn up for themselves. Panama, a veteran of film comedies who for years teamed with Melvin Frank (who later went on to big solo success with "A Touch of Class" in 1973), doesn't quite have it in him to be ballsy or outrageous, so he settles instead for sniggering-lite. This works out all right for the film's first half, which gives stars Elliott Gould and Diane Keaton a chance to play sort of an updated version of Rock Hudson and Doris Day (he's a skirt-chaser, she's sexually-repressed and maybe frigid). But the second-half, a screwball outing at a California sex clinic, drops a big bad bomb, turning our likable leads into arms-flailing ninnies. If the characters had stayed right where they were, this might have succeeded as a raunchy variation on "A Touch of Class". But Panama was obviously after big, slapstick-y laughs and cartoony embarrassments. His cast says "I Will, I Will" against their better judgment. ** from ****
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