A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
Respected liberal Senator Joe Tynan is asked to lead the opposition to a Supreme Court appointment. It means losing an old friend and fudging principles to make the necessary deals, as well... See full summary »
During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train ... See full summary »
Robert De Niro,
Susan Traherne has been irreparably changed by her wartime experiences as a Resistance fighter. She sets out in the post-war world to make her way to what she wants, no matter who is hurt, or how.Written by
This movie was released seven years after its source stage play had been first performed. See more »
Meryl Streep refers to an "Iranian vase". She incorrectly pronounces both words in the American way - "Irr-ah-nyin" and "vayss". Standard British pronunciation would be "Irr-ay-nyin" and "vaahz". See more »
I would stop, I would stop, I would stop fucking talking if I ever heard anybody else say anything worth fucking stopping talking for!
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David Hare's brilliant stage play has been translated beautifully to the screen. The peculiar English trait of natural melancholy radiates throughout this sad exercise of seeing all through the lens of British class consciousness, repression and despair. The color photography, the performances, the stifling framing of the widescreen shots all add to the oppressive beauty of a story about the self-destruction of a preternaturally beautiful woman. Mery Streep has never been better before or since. Hare makes her intellectual acuity a weapon against herself as she sees through all the ghastly pretenses of a corroding Empire. No insight, no beauty of body, no letting go of formality and pretense can save her from herself. Feminism itself is taken to the burning stake as Streep's character thrashes, Hedda Gabbler like, against walls and prohibitions beyond her understanding. Rarely has such condemnation looked so ravishing.
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