In 1839, the revolt of Mende captives aboard a Spanish owned ship causes a major controversy in the United States when the ship is captured off the coast of Long Island. The courts must decide whether the Mende are slaves or legally free.
Pete Sandich and buddy Al Yackey are daredevil aerial forest-fire fighters. Pete finds True Love with Dorinda but won't give up the job. When he takes one risk too many, Dorinda faces deep grief and cannot easily put her life back together.Written by
The bomber flown by Pete and Dorinda is the Douglas A-26 Invader, used by the US Army Air Forces in WWII, and the US Air Force in Korea and Vietnam. Al flies the PBY Catalina, a Navy rescue and transport plane in WWII. Dorinda helps Al ferry a Cessna 337 Skymaster, also known as the O-2 when flown by the Air Force in Vietnam. Ted flies a Super Decathalon, an aerobatic airplane. See more »
When Pete begins his dive to put out the fire in Al's aircraft he first retards the throttles, the correct procedure to start a dive like that, but you hear the engine RPM increase at the same time. After entering the dive the engine RPM would increase due to aerodynamic effects on the propellers, but this would only begin after entering the dive not while still in level flight. See more »
On the Blu Ray release, at the very end of the end credits, there is a warning. It reads, in quotation marks: "Caution: Inhaling of helium from balloons is dangerous, and can cause serious injury or death." See more »
At first glance, Always looks like a variation of Ghost, until one realizes it is a remake of a much older movie. But it has something Ghost certainly did not have -- Audrey Hepburn.
In what would be her final big-screen appearance, Audrey is radiant as the angel Hap, who appears all too briefly in the film. From the moment her famous voice is heard, time seems to stop. True, Audrey doesn't have a lot to say -- although her Doctor Who-like non-explanation about time is funny -- the few moments she is on screen are minutes to treasure. If Judi Dench and Ingrid Bergman were able to get Oscars for glorified cameos, it's a shame Hepburn didn't rate a nomination.
Of course, much of what's special about Audrey's role in this film comes from hindsight -- the fact she only had a couple more years to live, and the fact she had only appeared a few times on film in the previous 20 years. But we can be thankful to Steven Spielberg for not only getting Audrey to make the appearance, but also for giving her a classy film in which to make her swan song.
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