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Avalon (1990)

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1:40 | Trailer
A Polish-Jewish family comes to the USA at the beginning of the Twentieth Century. There, the family and their children try to make themselves a better future in the so-called promised land.

Director:

Barry Levinson

Writer:

Barry Levinson
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Nominated for 4 Oscars. Another 2 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Leo Fuchs Leo Fuchs ... Hymie Krichinsky
Eve Gordon ... Dottie Kirk
Lou Jacobi ... Gabriel Krichinsky
Armin Mueller-Stahl ... Sam Krichinsky
Elizabeth Perkins ... Ann Kaye
Joan Plowright ... Eva Krichinsky
Kevin Pollak ... Izzy Kirk
Aidan Quinn ... Jules Kaye
Israel Rubinek Israel Rubinek ... Nathan Krichinsky
Elijah Wood ... Michael Kaye
Grant Gelt ... Teddy Kirk
Mindy Loren Isenstein Mindy Loren Isenstein ... Mindy Kirk
Shifra Lerer Shifra Lerer ... Nellie Krichinsky
Mina Bern ... Alice Krichinsky
Frania Rubinek Frania Rubinek ... Faye Krichinsky
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Storyline

A Polish-Jewish family arrives in the US at the beginning of the century and they and their children try to build themselves a better future in the promised land. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

Three generations of family. They shared a dream called America in a place called Avalon.

Genres:

Drama

Certificate:

12 | See all certifications »
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Details

Country:

USA

Language:

English | Yiddish

Release Date:

8 March 1991 (Netherlands) See more »

Also Known As:

Авалон See more »

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Box Office

Gross USA:

$15,740,796
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby SR

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Some of Barry Levinson's relatives appear in the scene of Eva's funeral, which is based on the funeral of his own grandmother. When he started directing them, one of his cousins said, "Barry, we know what to do - we did this once before already." See more »

Goofs

Although the beginning of the picture is set in the late 1940s, the Christmas song "Silver Bells" is heard on Jules' car radio, sung by Bing Crosby. That version of the song was released in 1950. See more »

Quotes

[first lines]
Sam Krichinsky: I came to America in 1914 - by way of Philadelphia. That's where I got off the boat. And then I came to Baltimore. It was the most beautiful place you ever seen in your life. There were lights everywhere! What lights they had! It was a celebration of lights! I thought they were for me, Sam, who was in America. Sam was in America! I didn't know what holiday it was, but there were lights. And I walked under them. The sky exploded, people cheered, there were fireworks! What a welcome ...
See more »

Crazy Credits

The credits roll over a photograph of Avalon, which begins as a sharp color photograph, but fades into a worn black-and-white picture at the end. See more »

Connections

Features You Bet Your Life (1950) See more »

Soundtracks

Bésame Mucho (Kiss Me Much)
Written by Consuelo Velázquez (as Consuelo Velazquez) & Sunny Skylar
See more »

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User Reviews

 
Looking back at the way we were
15 May 2001 | by jmcsween90See all my reviews

The third of Barry Levinson's Baltimore trilogy (following ‘Diner' and ‘Tin Men') is a gentle and low key yet hugely impressive film that is a worthy successor to his enormously prosperous and Oscar winning ‘Rainman'. Although adopting the box office disaster strategy – ‘no stars just talent', Levinson manages to create a small yet thoroughly incisive look at the changing face of America and its values during an eventful period in its cultural history.

Set in the mid 1950's at the height of the post war economic boom and on the eve of Television's dominance of domestic life, ‘Avalon' looks closely and lovingly at the lives, loves and disasters of three generations of a Polish family in the New World. Opening with a magnificently shot flashback of Mueller-Stahl's arrival in America on July 4th some forty years earlier, the film develops a nostalgic yet never overtly sentimental approach to its subject matter and always keeps its story-line rooted firmly in reality.

Although the film has no specific plot or central character, the magnificent Mueller-Stahr emerges as the principal paternal figure trying to keep his increasingly disparate family of brothers, children, nephews, nieces and sundry together amidst the turning tides of cultural change. Joan Plowright plays his stubborn wife who has never learned to fully adapt to the lifestyles in the West, while his son Aidan Quinn is trying desperately to cash in on the American dream that brought his father to those shores in the first place.

A tale told with great colour, character and humour and populated with a huge assortment of human characters and memorable moments, 'Avalon' is a beautifully composed piece of American cinema.


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