Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ...
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Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
A painter in London paints in a style no longer popular. His assistant suggests artistic photography. It blooms. So much more when he photographs settings from classical nude paintings - naively oblivious to the real reason to success.
Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig salesman, known as the Scalper, to sell them his leads, the two embark on a series of house calls--always in neighborhoods that are dangerous for one or the other partner. Then they find out they may lose their exclusive wig distributorship to competitors. Through a series of comic twists, the pair are given large orders for wigs by both sides of the Protestant/Catholic conflict. Should they compromise their principles in order to keep their business? Will it destroy their friendship? Could one of their wigs in the hands of the IRA actually put one or both of them in jail or even get them killed?Written by
Producer Jerome O'Connor filed a $10 million lawsuit against DreamWorks for effectively burying the film so as not to offend the British government. DreamWorks head Steven Spielberg was rumored to receive an honor from The Queen but a wide release of the film (which lampoons the UK government's treatment of Northern Ireland) would have scuppered that. Consequently the film was released in just 6 cinemas - and Spielberg got his honor. See more »
This film was great for exactly what it was: a comedic drama with honest political/cultural commentary.
Set during the 1980's in the British-controlled portion of Ireland, "An Everlasting Piece" is about a Catholic and a Protestant barber who set off to win a monopoly as hair-piece salesman in the north of Ireland.
The style of comedy was what I would call "very British-like". It had that dry and witty sense of humor that is so terrific if you appreciate that sort of thing (just for the record, I'm usually a fan).
As far as the cultural/political commentary goes, an earlier post pointed out that George's family is non-existent in this movie, and that the story revolves around an almost entirely Catholic cast. My response is that to include the Protestant side of the story would have been impossible. To include the loyalist populace (and thus the loyalist paramilitaries, since there would have to be a balancing cinematic force countering the story of the IRA) would have required probably another 3 hours. I think this movie is really about the Catholic-Catholic confrontation. You've an IRA man who says "I want more than to just survive," in an era of unequal rights and opportunities for Irish Catholics, just as it was for the African Americans 2 decades before the film takes place. Then you have a Catholic who believes in "the cause" (ideologically speaking), yet has a Protestant friend who is obviously not concerned with politics or consumed with partisan hatred. The political/cultural issue here is the fact that the ideal the IRA was fighting for in the '80's (at the time, equal rights through union with the Irish Republic)) was legitimate in many respects- yet at what expense?
In the end the "film" is a movie- it is heart-warming entertainment that gives the viewer a general sense of one of the overall issues facing Ireland in the '80's, and it gives a lot of chuckles. It'll make you laugh, feel, and even make you think- so it's worth at least the rental price.
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