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The Hours (2002)

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2:36 | Trailer
The story of how the novel "Mrs. Dalloway" affects three generations of women, all of whom, in one way or another, have had to deal with suicide in their lives.

Director:

Stephen Daldry

Writers:

Michael Cunningham (novel), David Hare (screenplay)
Reviews
Popularity
2,150 ( 167)
Won 1 Oscar. Another 41 wins & 125 nominations. See more awards »

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Cast

Cast overview, first billed only:
Nicole Kidman ... Virginia Woolf
Julianne Moore ... Laura Brown
Meryl Streep ... Clarissa Vaughan
Stephen Dillane ... Leonard Woolf
Miranda Richardson ... Vanessa Bell
George Loftus George Loftus ... Quentin Bell
Charley Ramm Charley Ramm ... Julian Bell
Sophie Wyburd Sophie Wyburd ... Angelica Bell
Lyndsey Marshal ... Lottie Hope (as Lyndsay Marshal)
Linda Bassett ... Nelly Boxall
Christian Coulson ... Ralph Partridge
Michael Culkin ... Doctor
John C. Reilly ... Dan Brown
Jack Rovello ... Richie
Toni Collette ... Kitty
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Storyline

In 1951, Laura Brown, a pregnant housewife, is planning a party for her husband, but she can't stop reading the novel 'Mrs. Dalloway'. Clarissa Vaughn, a modern woman living in present times is throwing a party for her friend Richard, a famous author dying of AIDS. These two stories are simultaneously linked to the work and life of Virginia Woolf, who's writing the novel mentioned before. Written by Jonas Reinartz <jonas.reinarzt@web.de>

Plot Summary | Plot Synopsis

Taglines:

Three women in their search for happiness See more »

Genres:

Drama | Romance

Certificate:

AL | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA | UK

Language:

English

Release Date:

20 March 2003 (Netherlands) See more »

Also Known As:

Las horas See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$338,622, 29 December 2002, Limited Release

Gross USA:

$41,675,994, 22 May 2003

Cumulative Worldwide Gross:

$108,846,072
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Eileen Atkins (Barbara in the flower shop) wrote the screenplay for Mrs Dalloway (1997), the movie based on the novel Virginia Woolf is writing in The Hours. See more »

Goofs

When Julia puts her arm under the first stack of papers she removes from her mother's desk the bottom page is accidentally folded under her arm. When the camera angle changes the page is no longer folded. See more »

Quotes

[first lines]
Virginia Woolf: [Narrating the letter] Dearest, I feel certain that I am going mad again. I feel I can't go through another one of these terrible times and I shant recover this time. I begin to hear voices and can't concentrate. So, I am doing what seems to be the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I know that I am spoiling your life and without me you could work and you will, I know. You see I can't even write ...
See more »

Connections

Referenced in Getaway: Holidays in the Sun (2008) See more »

Soundtracks

Satyagraha
by Philip Glass
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User Reviews

 
Provocative and Hopeful
15 April 2003 | by rodmans545See all my reviews

Boasting an exemplary cast, purposeful direction, authentic production values, and a haunting musical score, The Hours is a sincere praiseworthy attempt to adapt Michael Cunningham's prize-winning novel to the screen. It is provocative, introspective, hopeful, and at times downright desolate. As evidenced by the opening sequence, the value of life itself is called into question and it sets the tone for the rest of the film.

The complex storyline focuses on one day in the lives of three women from three different generations. Virginia Woolf (Nicole Kidman) is living outside of London with her husband in 1923, recovering from mental illness and beginning work on her now famous novel, Mrs. Dalloway. Laura Brown (Julianne Moore) is a 1950's suburban housewife, married to a World War II veteran (John C. Reilly), raising a small boy while expecting another child. And then there is Clarissa Vaughn (Meryl Streep), a present-day version of Mrs. Dalloway, so named by her one-time lover and now AIDS-stricken writer Richard (Ed Harris), living in New York and planning one of her renowned parties for him following his reception of a prestigious poetry award.

Yet there is a common thread among them that effaces any 'real' normalcy in their lives and ultimately forces each of them to make life-altering decisions. Themes revolving around feminism and sexual preference stir just below the surface. But it is the prevailing sadness of these women brought on by the confinements of a restrictive and often stifling society that is at the core of this film. Their yearning for something more or for that 'one perfect moment' in time places each of them in the painful position to question their own existence. The sequences in each of their lives are carefully interwoven throughout the movie, enhancing their parallel struggles.

The Hours is skillfully directed by Stephen Daldry and contains some of the finest performances of the year. Julianne Moore's depiction of Laura Brown is filled with subtlety and nuance. She epitomizes a 1950's housewife with a constant shiny exterior who can barely contain the internal struggle of her life's claustrophobic confinements. Meryl Streep's Clarissa Vaughn, though bound by memories of her past, is somewhat less restricted in her character as a modern New York editor living with her female lover and therefore has more opportunity to display her considerable emotional range.

However it is Nicole Kidman's portrayal of Virginia Woolf that is the most mesmerizing and transforming performance in the film. She is completely submerged as the famous novelist of the early twentieth century. The hype concerning Kidman's prosthetic proboscis and its alleged distraction is much ado about nothing. To the contrary, it enhances her performance and allows her characterization of Virginia Woolf to fully emerge. Audiences will not recognize her, nor should they.

But if it is familiar players and plotlines you are seeking then The Hours is not for you. It is neither fantasy nor escapism, yet what it lacks in pure entertainment it makes up for with introspection and a somewhat hopeful ending.


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