In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the United States. These two elite secret organizations must band together to defeat a common enemy.
A washed up monster chaser convinces the U.S. Government to fund a trip to an unexplored island in the South Pacific. Under the guise of geological research, the team travels to "Skull Island". Upon arrival, the group discover that their mission may be complicated by the wildlife which inhabits the island. The beautiful vistas and deadly creatures create a visually stunning experience that is sure to keep your attention.Written by
Near the end of the credits is a line that says: Characters of "Godzilla", "King Ghidorah", "Mothra", and "Rodan" created and owned by Toho Co., Ltd. This ties in with the MonsterVerse and could be a clue to kaiju appearing in future movies, including Godzilla vs. Kong (2020). See more »
The graphics on the seismic devices are far beyond the capabilities of computers in 1973, let alone portable computers. See more »
Mark my words. There'll never be a more screwed up time in Washington. But we can't let it stop us.
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The opening credits are a montage of 1940-70s news videos. See more »
Movies used to be fun. Genuinely fun. Kong: Skull Island is a throwback to the era when movies were fun - like, Stars Wars fun. Like Jaws fun. That kind of fun. The leads embody characters that are all understandable and genuinely likable. The plot isn't stuffed with technical geek references and "easter eggs" that weigh down other universe-building films. From the fire- singed Kong fur to the slick skull crawler tongues, the special effects are brilliantly detailed and animated. And it's genuinely refreshing to watch an action/monster film in which native peoples are depicted with dignity and respect, and where black and Asian characters aren't used as props or fodder for violence (admittedly, the film could have gone further with this, but I sensed some progress being made). Kong: Skull Island isn't Life is Beautiful. It isn't Casablanca. But it is genuinely, thrillingly, rigorously fun. It has heart, scales, teeth and a ferocious roar. Monster movies are back. Get in line. Hail to the King.
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