6.6/10
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2 user 42 critic

Doubles vies (2018)

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1:35 | Trailer
Set in the Parisian publishing world, an editor and an author find themselves in over their heads, as they cope with a middle-age crisis, the changing industry and their wives.

Director:

Olivier Assayas

Writer:

Olivier Assayas
6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Guillaume Canet ... Alain Danielson
Juliette Binoche ... Selena
Vincent Macaigne ... Léonard Spiegel
Christa Théret ... Laure d'Angerville
Nora Hamzawi ... Valérie
Pascal Greggory Pascal Greggory ... Marc-Antoine Rouvel
Laurent Poitrenaux Laurent Poitrenaux ... Maxime Caron
Sigrid Bouaziz ... L'amie éditrice
Lionel Dray Lionel Dray ... L'ami éditeur
Nicolas Bouchaud ... David
Antoine Reinartz ... Blaise, le libraire d'Arles
Aurélia Petit Aurélia Petit ... Invitée de Marc-Antoine
Thierry de Peretti Thierry de Peretti ... Invité de Marc-Antoine
Violaine Gillibert ... Paloma, l'amie de Marc-Antoine
Jean-Luc Vincent Jean-Luc Vincent ... Carsten
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Storyline

Set in the Parisian publishing world, an editor and an author find themselves in over their heads, as they cope with a middle-age crisis, the changing industry and their wives.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for some language and sexuality/nudit | See all certifications »
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Details

Country:

France

Language:

French

Release Date:

16 January 2019 (France) See more »

Also Known As:

Non-Fiction See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

For Olivier Assayas, Double Vies is very French in the sense that in France you can still get away with making these kinds of films. See more »

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User Reviews

 
Not for the general audience
12 September 2018 | by ArtistGrlSee all my reviews

As a fan of European films with an intellectual spark and some witty humor, I was expecting to enjoy this. Despite a slow start, I kept hoping for an eventual improvement, but the film just dragged on and on, repeating the same idea in many different settings, to the point of exhaustion, for 108 tedious minutes.

While there were a couple of funny moments, they were too few and far apart. As far as the story went, there was not much beyond the initial concept. As a character-driven film, I found most characters to be flat and unrelatable, particularly the protagonist and his romantic interests. The minor development at the end felt forced and out of place.

Since I saw this at the Toronto Film Festival, a Q&A followed at the end. Unlike other public screenings that I've attended so far, most questions this time came from people in the film industry, who themselves mentioned that they could probably better relate to the book publishing industry, thus this film, than most. Since I'm not of the industry nor a French speaker, I could only hope that some of its charm lost in translation.


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